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當(dāng)前位置首頁劇情片《工人,農(nóng)民》

工人,農(nóng)民6.0

類型:劇情地區(qū):法國年份:2001

主演:

導(dǎo)演:達(dá)尼埃爾·于伊耶,讓-馬里·斯特勞布

簡介:Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed th詳情

在線觀看

劇情簡介

工人,農(nóng)民在線播放

副標(biāo)題: Workers, Peasants

這部類型分別為:劇情片(juqingpian)

如果你也喜歡電影,并且愛看類型是工人,農(nóng)民,VeteranexperimentalfilmmakersDanielleHuilletandJean,MarieStraubhelmedthisunusualadaptationofan的作品的話一定不要錯過

導(dǎo)演: 達(dá)尼埃爾·于伊耶,讓-馬里·斯特勞布

編劇: 暫時保密

今天給分享的影視作品主要是達(dá)尼埃爾·于伊耶,讓-馬里·斯特勞布導(dǎo)演,還有老戲骨暫時沒用公布由2001年上映。

目前暫定上映地區(qū)為法國,主要的受眾語言其它

主要講述了:

Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series. ~ Mark Deming, All Movie Guide  The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport ?both in their professional and daily lives ?between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.  The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial. -Steve Grayson  my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty. - Jonathan Rosenbaum

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